{"id":162,"date":"2020-01-03T10:56:47","date_gmt":"2020-01-03T10:56:47","guid":{"rendered":"http:\/\/www.grozdanaolujic.net\/eng\/?page_id=162"},"modified":"2021-11-25T18:00:55","modified_gmt":"2021-11-25T18:00:55","slug":"%d0%b7%d0%b1%d0%b8%d1%80%d0%ba%d0%b5-%d0%bf%d1%80%d0%b8%d0%bf%d0%be%d0%b2%d0%b5%d0%b4%d0%b0%d0%ba%d0%b0-%d0%b1%d0%b0%d1%98%d0%ba%d0%b5-%d0%b0%d0%bd%d1%82%d0%be%d0%bb%d0%be%d0%b3%d0%b8%d1%98%d0%b5","status":"publish","type":"page","link":"https:\/\/www.grozdanaolujic.net\/eng\/?page_id=162","title":{"rendered":"Essays and articles"},"content":{"rendered":"\n<p class=\"has-text-color\" style=\"color:#ffffff\">.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" width=\"478\" height=\"727\" src=\"https:\/\/www.grozdanaolujic.net\/eng\/wp-content\/uploads\/sites\/4\/2021\/02\/GOlujic-Pisci-o-sebi.png\" alt=\"\" data-id=\"694\" class=\"wp-image-694\" srcset=\"https:\/\/www.grozdanaolujic.net\/eng\/wp-content\/uploads\/sites\/4\/2021\/02\/GOlujic-Pisci-o-sebi.png 478w, https:\/\/www.grozdanaolujic.net\/eng\/wp-content\/uploads\/sites\/4\/2021\/02\/GOlujic-Pisci-o-sebi-197x300.png 197w, https:\/\/www.grozdanaolujic.net\/eng\/wp-content\/uploads\/sites\/4\/2021\/02\/GOlujic-Pisci-o-sebi-250x380.png 250w\" sizes=\"(max-width: 478px) 100vw, 478px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" width=\"469\" height=\"728\" src=\"https:\/\/www.grozdanaolujic.net\/eng\/wp-content\/uploads\/sites\/4\/2021\/02\/GOlujic-Tocak-Vremena.png\" alt=\"\" data-id=\"695\" data-full-url=\"https:\/\/www.grozdanaolujic.net\/eng\/wp-content\/uploads\/sites\/4\/2021\/02\/GOlujic-Tocak-Vremena.png\" data-link=\"https:\/\/www.grozdanaolujic.net\/eng\/%d0%b7%d0%b1%d0%b8%d1%80%d0%ba%d0%b5-%d0%bf%d1%80%d0%b8%d0%bf%d0%be%d0%b2%d0%b5%d0%b4%d0%b0%d0%ba%d0%b0-%d0%b1%d0%b0%d1%98%d0%ba%d0%b5-%d0%b0%d0%bd%d1%82%d0%be%d0%bb%d0%be%d0%b3%d0%b8%d1%98%d0%b5\/golujic-tocak-vremena\/\" class=\"wp-image-695\" srcset=\"https:\/\/www.grozdanaolujic.net\/eng\/wp-content\/uploads\/sites\/4\/2021\/02\/GOlujic-Tocak-Vremena.png 469w, https:\/\/www.grozdanaolujic.net\/eng\/wp-content\/uploads\/sites\/4\/2021\/02\/GOlujic-Tocak-Vremena-193x300.png 193w\" sizes=\"(max-width: 469px) 100vw, 469px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-text-color has-background\" style=\"background-color:#ffffff;color:#ffffff\">.<\/p>\n\n\n\n<p>\u201cAll-seeing Loved Ones\u201d (\u201c<em>Svevide\u0107e oko bli\u017enjih<\/em>\u201d), <em>Knji\u017eevne novine &#8211; Literary newspaper<\/em>, uly 17, 1959, X, 97.<\/p>\n\n\n\n<p>&#8220;Delinquency and Film&#8221; (\u201cDelikvencija i film\u201d), NIN, May 8, 1960, I, 487.<\/p>\n\n\n\n<p>\u201cEvil Queens TV\u201d (\u201cTelevizor zle kraljice\u201d), Politika, Politika, 4. 9. 1960, LVII, 16877. Kultura \u2013 art, IV, 178. About modernising fairy tales.<\/p>\n\n\n\n<p>&#8220;Lexicon gave way to a scrapbook&#8221; (\u201c<em>Leksikon je ustupio mesto spomenaru<\/em>\u201d), Politika, October 16, 1960, LVII, 16913. Culture &#8211; Art IV, 184.<\/p>\n\n\n\n<p>&#8220;Gaps that warn &#8211; On the lack of love, family, entertainment and youth novel in our contemporary literature.&#8221; (\u201c<em>Praznine koje opominju \u2013 O nedostatku ljubavnog, porodi\u010dnog, zabavnog i omladinskog romana u na\u0161oj savremenoj literature<\/em>\u201d), Politika, March 4, 1962, LIX, 17386. Culture &#8211; Art, VI, 256.<\/p>\n\n\n\n<p>&#8220;Twilight of Tragedy&#8221; (\u201c<em>Sumrak tragedije<\/em>\u201d), Politics, May 5, 1963, LX, 17807. Culture &#8211; Art VII, 51.<\/p>\n\n\n\n<p>&#8220;New Possibilities: On the Contemporary Yugoslav Novel&#8221; (\u201c<em>Nove mogu\u0107nosti: o savremenom jugoslovenskom romanu<\/em>\u201d), Pobjeda, November 29, 1964, XXI, 2362.<\/p>\n\n\n\n<p>&#8220;Who was Dimitrije Mitrinovi\u0107?&#8221; (\u201c<em>Ko je bio Dimitrije Mitrinovi\u0107<\/em>?\u201d), Borba, June 12, 1966, XXXI, 159.<\/p>\n\n\n\n<p>&#8220;How to consume a poem or about one type of contemporary American poetry&#8221; (\u201c<em>Kako pojesti pesmu ili o jednom vidu savremene ameri\u010dke poezije<\/em>\u201d), Borba, December 30, 1972, LI, 360.<\/p>\n\n\n\n<p>&#8220;Heroic Fiction by Olja Ivanjicki&#8221; (\u201c<em>Herojska fantastika Olje Ivanjicki<\/em>\u201d), Borba, May 11, 1974.<\/p>\n\n\n\n<p>&#8220;Ljubodrag Jankovi\u0107&#8221;, Borba, June 1, 1974, LIII, 147.<\/p>\n\n\n\n<p>&#8220;Jovan Siva\u010dki&#8221;, Borba, November 23, 1974, LII, 322.<\/p>\n\n\n\n<p>&#8220;The Problem of Personality Identity in the Work of Virginia Woolf&#8221;, Literature, vol. XXX, vol. LXI, vol. 11\/12, nov. \u2013December 1975, p. 482\u2013500.<\/p>\n\n\n\n<p>&#8220;Weaving the Life of Thomas Wolf&#8221; (\u201c<em>Problem identiteta li\u010dnosti u delu Vird\u017einije Vulf<\/em>\u201d), afterword in: Thomas Wolf, Weaving of Life, Belgrade: Rad, 1976.<\/p>\n\n\n\n<p>\u201cLiterature and Time\u201d (\u201cLiteratura i vreme\u201d), Kultura, 36\/37, 1977, 167\u2013176,<\/p>\n\n\n\n<p>&#8220;Pandits, educated women of India&#8221; (\u201cPandite, u\u010dene \u017eene Indije\u201d), Borba, July 2, 1977, LV, 179.<\/p>\n\n\n\n<p>&#8220;The Dual Nature of Art&#8221; (\u201c<em>Dvojna priroda umetnosti<\/em>\u201d), Culture, 13-22.<\/p>\n\n\n\n<p>&#8220;The Logic of Hell by Franz Kafka&#8221; (\u201c<em>Logika pakla Franca Kafke<\/em>\u201d), Third Program, Spring 1977, p. 297\u2013306.<\/p>\n\n\n\n<p>&#8220;India\u2019s Thousand Faces&#8221; (\u201c<em>Hiljadu lica Indije<\/em>\u201d), Culture, 1979, 45\/46, 104-114,<\/p>\n\n\n\n<p>&#8220;Marcel Proust&#8217;s Time Found&#8221; (\u201c<em>Prona\u0111eno vreme Marsela Prusta<\/em>\u201d), afterword in: Marcel Proust, One Swan&#8217;s Love, Belgrade: Rad, 1979, p. 213\u2013221.<\/p>\n\n\n\n<p>&#8220;India\u2019s Thousand Faces&#8221; (\u201c<em>Hiljadu lica Indije<\/em>\u201d), preface to the anthology Invocation of Light, Belgrade: Rad, 1980 p. 7\u201350.<\/p>\n\n\n\n<p>&#8220;The Winged Wheel of Time&#8221; <em>(\u201cKrilati to\u010dak vremena\u201d<\/em>), b. \u0433. p. 140\u2013150.<\/p>\n\n\n\n<p>&#8220;Poetics of a fairy tale&#8221; (<em>\u201cPoetika bajke\u201d<\/em>), Childhood, Novi Sad, vol. VII, no. 3, 1981, p. 31\u201338.<\/p>\n\n\n\n<p>&#8220;The Winged Wheel of Time&#8221; (\u201c<em>Krilati to\u010dak vremena<\/em>\u201d), Gradina, 1984, XIX, 3, 37-44.<\/p>\n\n\n\n<p>&#8220;The alchemy of Mersad Berber&#8217;s Dream&#8221; (\u201c<em>Alhemija sna Mersada Berbera<\/em>\u201d), Knji\u017eevne novine, 41, February 1, 1989, 769.<\/p>\n\n\n\n<p>&#8220;Multimedia as a future or a contribution to the defence of the book&#8221; (\u201c<em>Multimedijalnost kao budu\u0107nost ili prilog odbrani knjige<\/em>\u201d), Childhood, Novi Sad, 1997, vol. XXIII, no. 3, p. 9\u201312.<\/p>\n\n\n\n<p>&#8220;Defence of the written word&#8221; (\u201c<em>Odbrana pisane re\u010di<\/em>\u201d), Politika, 96, no. 30794, 17.07.1999, p. 14.<\/p>\n\n\n\n<p>&#8220;Fantasy in children&#8217;s literature or the dream of a rose and a butterfly&#8221; (\u201cFantastika u knji\u017eevnosti za decu ili san o ru\u017ei i leptiru\u201d), Childhood, Novi Sad, vol. XXVI, 2000, no. 1-2, p. 4\u20138.<\/p>\n\n\n\n<p>&nbsp;&#8220;Alchemy of Light by Ljuba Popovi\u0107&#8221; (\u201c<em>Alhemija svetlosti Ljube Popovi\u0107a<\/em>\u201d), Volumes, vol. 11, no. 57\u201358, 2001, p. 205\u2013209.<\/p>\n\n\n\n<p>&#8220;Metaphors of love&#8221; (\u201cMetafore ljubavi\u201d), preface to the Anthology of love fairy tales of the world, Belgrade: SKZ, 2001.<\/p>\n\n\n\n<p>&#8220;Light Phantasmagorias of Voja Stani\u0107&#8221; (\u201c<em>Svetlosne fantazmagorije Voje Stani\u0107a<\/em>\u201d), Notebooks, vol. 13, no. 57\u201358, 2002, p. 180\u2013187.<\/p>\n\n\n\n<p>&#8220;Marcel Proust&#8217;s Time Found&#8221; (\u201c<em>Prona\u0111eno vreme Marsela Prusta<\/em>\u201d), afterword in: Marcel Proust, One Swan&#8217;s Love, Belgrade: Habitus, 2004.<\/p>\n\n\n\n<p>&#8220;Poetics of a Fairy Tale&#8221; (\u201c<em>Poetika bajke<\/em>\u201d), Brani\u010cevo, 50, 2, April-June, 161-169.<\/p>\n\n\n\n<p>&#8220;Inter-genre relations: a fairy tale and a fantastic story&#8221; (\u201c<em>Me\u0111u\u017eanrovski odnosi: bajka i fantasti\u010dna pri\u010da<\/em>\u201d), Uzdanica, Jagodina, spring-autumn 2006, III, no. 1-2, p. 81\u201387.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">.<\/p>\n\n\n\n<h3><strong><strong>Ratings and reviews<\/strong><\/strong><\/h3>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">.<\/p>\n\n\n\n<p>&#8220;Good Day, Sadness&#8221; (\u201c<em>Dobar dan, tugo<\/em>\u201d), review. Young Culture, 1955, IV, 34, September 15, 6.<\/p>\n\n\n\n<p>&#8220;Builders of the World by Stefan Zweig&#8221; (\u201c<em>Graditelji svijeta Stefana Cvajga<\/em>\u201d), (review) Youth, 31. VIII 1955, XI, 927.<\/p>\n\n\n\n<p>&#8220;Ramous Osvaldo, Time of &nbsp;Night Butterflies&#8221; (\u201c<em>Ramous Osvaldo, Vrijeme no\u0107nih leptira<\/em>\u201d) (review), Slobodna Dalmacija, 27. VIII, 1955, XIII, 3276.<\/p>\n\n\n\n<p>&#8220;Vojislav Kuzmanovi\u0107: Petar on Sand&#8221; (\u201c<em>Vojislav Kuzmanovi\u0107: Petar na pijesku<\/em>\u201d) (review), Mlada kultura, May 13, 1956, V, 45.<\/p>\n\n\n\n<p>\u201cBranko V. Radi\u010devi\u0107: Eternal infantry\u201c (\u201cBranko V. Radi\u010devi\u0107: Ve\u010dita pe\u0161adija\u201d) (review), Mlada kultura, 14. II 1957, VI, 52.<\/p>\n\n\n\n<p>&#8220;Svetlana Velmar Jankovi\u0107: Scar&#8221; (review), Mlada kultura, June 6, 1957, VI, 60-61.<\/p>\n\n\n\n<p>&#8220;Delinquency and Film&#8221; (\u201c<em>Delikvencija i film<\/em>\u201d), NIN, May 8, 1960, I, 487.<\/p>\n\n\n\n<p>&#8220;John Wain: On the Young Generation of English Writers&#8221; (\u201c<em>John Wain: O mladoj generaciji engleskih pisaca<\/em>\u201d), interview with Grozdana Oluji\u0107, NIN, June 26, 1960, X, 494.<\/p>\n\n\n\n<p>&#8220;Invasion of the Youth&#8221; (\u201c<em>Najezda mladih<\/em>\u201d), Politika, November 13, 1960, LVII, 16937. Culture &#8211; Art IV, 811.<\/p>\n\n\n\n<p>&#8220;Erskine Caldwell: About Myself, Literature and America&#8221; (\u201c<em>Erskine Caldwell: o sebi, knji\u017eevnosti i Americi<\/em>\u201d), interview with Mr. Storm. NIN, February 26<\/p>\n\n\n\n<p>1961, XI, 529<\/p>\n","protected":false},"excerpt":{"rendered":"<p>. . \u201cAll-seeing Loved Ones\u201d (\u201cSvevide\u0107e oko bli\u017enjih\u201d), Knji\u017eevne novine &#8211; Literary newspaper, uly 17, 1959, X, 97. ...<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.grozdanaolujic.net\/eng\/index.php?rest_route=\/wp\/v2\/pages\/162"}],"collection":[{"href":"https:\/\/www.grozdanaolujic.net\/eng\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.grozdanaolujic.net\/eng\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.grozdanaolujic.net\/eng\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.grozdanaolujic.net\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=162"}],"version-history":[{"count":21,"href":"https:\/\/www.grozdanaolujic.net\/eng\/index.php?rest_route=\/wp\/v2\/pages\/162\/revisions"}],"predecessor-version":[{"id":786,"href":"https:\/\/www.grozdanaolujic.net\/eng\/index.php?rest_route=\/wp\/v2\/pages\/162\/revisions\/786"}],"wp:attachment":[{"href":"https:\/\/www.grozdanaolujic.net\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}